BERNIEELEN Bernice Inn Ladies 2018 New Islamic Calligraphy "Persian Bride"

Chinese characters are pictographic and Persian characters are pinyin. The hieroglyphs point to the things themselves, while the Pinyin texts directly constitute the dancing symbols. But in China and Iran, the difference between books and paintings is equally clear. Calligraphy writing and text are in order, from right to left, which is exactly the same in ancient China and Persia.

In 642 AD, Islamic calligraphy was introduced into Persia with the “Conquest of Islam.” Since then, calligraphy has gradually become the core of Persian art and culture, and it has also become a training course for the nobility of the kings and aristocrats. Persian artists’ attention to calligraphy has spawned two major local styles, the Nastaliq and the Shekastee. This is the contribution of Persian artists to Islamic culture and is also the pride of the Persians. In particular, the Nastaliq body has almost become a symbol of the Persian line of Islamic calligraphy and is called the "Persian bride" of Islamic calligraphy.

In addition to Nastaliq and Shekastee, Persian Calligraphy has produced a number of distinctive genres, such as the majestic Muhaqqaq, the rich Rihani, and the majestic Thuluth. Calligraphy has become a true art because of its pursuit of writing quality and style, which has exceeded its record of the original. Persian calligrapher's pen was made with reeds according to strict regulations and was called "the cypress tree in the garden of knowledge."

Whether in China or Iran, calligraphy maintains this original identity. This kind of mutual rejuvenation between writing and writing. In the process of writing, the experience of writing extends beyond the meaning of the word, and the power of writing arises from it.

Like China, calligraphy in Iran is considered to be both a manifestation of the spirit of the writer and the heart of Muslims, such as what the Islamic sage Ari said—is the “natural and pure writing process of the purity of the soul”. . Therefore, every great Islamic calligrapher must undergo long-term cultivation and soul smelting. He must have a pure and firm mind.

There is a speaker in any sentence. The utterances of mortals and the words of the speaker can all be questioned. Only what God says is absolute and cannot be questioned. It seems to be what nature is - of course. The text is idolized under the guise of calligraphy. It is like nature, its own thing.

BERNIEELEN Bernis Inn 2018 Women's New Islamic Calligraphy "Persian Bride"