The Molding Features of Qing Dynasty Porcelain

1. The porcelains of the DPRK in the Qing Dynasty were rich in content, with both common styles and different characteristics.

2. When the Qing Dynasty porcelain was modeled as Shunzhi and Kangxi, the ancient monk, fullness, and honesty were all the same. The appearance of Qizheng was very clever and timeless. When Emperor Qianlong was in formal order, Jiaqing and Daoguang were young and unwieldy.

3, the carcass, scorpion class, generally moderate thickness, round class is thick and thin. During the Kangxi period, the carcass was heavy and hard and dense. At the right time, there are fetal qualities of light, thin, smooth, high whiteness. After Daoguang, the carcass was thick and bulky. In the Qing dynasty, the abdominal and neck scars were extremely rare. In the Ming Dynasty, the exoskeleton was exposed, and often the red flint of the flint had disappeared in the Qing Dynasty.

4. The glaze is less bright than the Ming dynasty. The glaze is thin and the color is slightly blue and white. In the Shunzhi and Kangxi dynasties, the glaze was flat and delicate, and the fetal glaze was tightly bonded. The glazed surfaces were white, white, white, and hard-bright. At the exact moment, the glaze is fine and shiny, and there are orange peels and wrinkles. During the reign of Qianlong, it was flat and green. After Jia Dao, it was not smooth enough and the waves were obvious. In the late Qing Dynasty, glazing was thin and enamel was loose and not strong enough.

5. The decoration was deeply influenced by the paintings of the same period. The porcelain wares of the kiln were coextensive and realistic, and they were boldly placed with the pen. Queen's official kiln attachments, the pattern tends to be standardized, with a nuanced pen, the composition of rigid mud, complex binding. The landscapes and trees in the early designs were mostly made of axe and were plated. The ancient costumes were beautiful in the high police, and the delicate flowers were painted with no bones. The figures in the late ornamentation are avatars and the nose is long. The dragon pattern is not the same in this period. Both the square head and the big head are vigorous, but also the slender and delicate body, usually the lion head, the dragon hair is more The dragon's foot is prominent, and the two feet have a strong sense of three-dimensionality. The dragon's body is stupid, and it is generally painted as four-jaw and five-jaw, like a chicken claw.

6, in the Qing Dynasty, due to the influence of Western painting art on the porcelain crafts, a pattern with Western painting style features appeared on the porcelain. For example, in enamel porcelain and part of the exported porcelain, you can often see some Western figures, buildings, boats and dogs and other patterns.

7. The patterns of the eight treasures in the Qing Dynasty were wheels, snails, umbrellas, covers, flowers, pots, fish and intestines.

8, large artifacts and early artifacts, mostly smooth sand bottom. In Shunzhi and Kangxi, the porcelain style was more diverse. There are double-layered bottom, beveled bottom, two-layered table bottom, foot-bed, round muddy back-shaped feet and so on.

9. The official kiln of Jingdezhen belongs to the emperor's number, and the kiln has dry money, auspicious money, private money, and chart money. There are many kinds of printing, engraving, blue and white, red glaze, gold color, material color, and so on. Kangxi is more than a few people, and it is also used by Yongzheng and Qianlong. In the late Tongzhi, Guangxu and Xuantong three dynasties, there were more monk books and the periphery was in a circle or box format. Civilian Kilns know how to casually write, font wasted.